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Lucero Villalba 2004-2005 / Jesuit Missions Travel Stories
The knowledge acquired by another direct experience here and explicitly privileged, as opposed to knowledge a priori determined by a preconceived cultural code, then proposes that reality 'which I imagine as an artist. We seem somewhat labyrinthine enter these iconographies, where some sing, eat another, others work the land, all the houses burning fire in those rituals whose actions lies in combining mobile and associate representations materials showing the timing of the elements beyond the disjunctions constituents thought civilized; nature, culture, animal, human, rational, irrational, subject, thinking. The confrontation between the artist and his vision evangelizing their mutual amansamiento symbolize reconciliation of European culture with the indigenous nature. Not by chance Lucero has chosen to experience those spaces, semidestruidos today, but on the contrary all its images respond to a domestic identification, which denotes what quantifiable its aesthetic experience, his personal experience, sensitive and pure quality of this encounter. Reactive confrontation of these cultures, totemic of indigenous people, faced with gradually symbols that vision cross, and invests in this fraternization spectacular, in those compacts solidarity of these missions, because we are counting orders that reconciliation between the antagonists , where access by matching their own means of creativity. This action painting, it means the new role magnificently interpretation of these crises, making other tempos, heard that civilization, magnetized by the elements of inaccessibility, and reactive cohesion collective imagination to offer a return to the days of original thought where these are discussed doctrines. It interpreter, actor and advocate with the cosmic vision of art, aesthetics and demonstrates consistency in capturing the full magic of these missions, requiring reformulated unabated for a spiritual evolution of mankind, the cornerstone remains the return of all These symbols.

Carlos Maria Lopez Ramos / Buenos Aires - June 2005
 
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